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Composition: Duet
Measures: 60 - 150
Unique Notes: 11 - 15
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pental
Cornelius_Peter_-_6_Lieder_Op._5_No.1_-_Botschaft
pental
1:52 Est. Play
Time
70 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 37 9 5 100%
Bass 28 28 7 4 98%
Voice Treble 15 0 4 4 63%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 37 9 5 100%
Bass 28 28 7 4 98%
Voice Treble 15 0 4 4 63%
 
Franz_Robert_-_6_Gesange_Op.6_No.3_-_Auf_dem_Meere
pental
1:37 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 24 63 6 6 96%
Bass 28 26 6 6 98%
Singstimme Voice Treble 13 0 4 6 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 24 63 6 6 96%
Bass 28 26 6 6 98%
Singstimme Voice Treble 13 0 4 6 84%
 
Salve Regina F. Schubert (T.T.B.B)
pental
4:55 Est. Play
Time
119 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
I		 Bass 13 0 4 7 100%
Tenore
II		 Treble 13 0 5 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
I		 Bass 13 0 4 7 100%
Tenore
II		 Treble 13 0 5 7 100%
TENORE
I		 Treble 15 0 6 8 99%
Basso
II		 Bass 16 0 6 7 97%
 
Canzone a 2: Cornetto o violino e trombone Giulio Belli (1560-1622)
pental
3:50 Est. Play
Time
102 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cornettino
o
violino		 Treble 12 0 2 7 100%
Organ Treble 16 0 1 6 100%
Trombone Bass 12 0 1 7 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cornettino
o
violino		 Treble 12 0 2 7 100%
Organ Treble 16 0 1 6 100%
Trombone Bass 12 0 1 7 97%
 
Franz_Robert_-_12_Gesnge_Op.1_No.9_-_Jagdlied
pental
1:27 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 22 29 6 4 100%
Bass 26 16 9 5 100%
Singstimme Voice Treble 13 0 4 5 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 22 29 6 4 100%
Bass 26 16 9 5 100%
Singstimme Voice Treble 13 0 4 5 80%
 
Brahms_Johannes_-_5_Lieder_Op.47_No.1_-_Botschaft
pental
2:16 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 28 46 7 5 100%
Bass 33 30 10 5 100%
Singstimme Voice Treble 14 0 5 5 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 28 46 7 5 100%
Bass 33 30 10 5 100%
Singstimme Voice Treble 14 0 5 5 79%
 
Missa "Au travail suis" Gloria Johannes Ockeghem
pental
4:17 Est. Play
Time
128 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 13 0 4 9 75%
Superius Treble 14 0 4 6 73%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassus Bass 13 0 4 9 75%
Superius Treble 14 0 4 6 73%
Tenor Bass 11 0 0 6 70%
Altus Treble 13 0 4 8 67%
 
Kindertotenlieder No 1 Nun will die Sonn' so hell aufgeh'n!
pental
5:51 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 31 3 14 6 93%
Bass 36 18 13 6 92%
Voice Treble 13 0 6 6 56%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Grand
Piano		 Treble 31 3 14 6 93%
Bass 36 18 13 6 92%
Voice Treble 13 0 6 6 56%
 
III. The Roadside Fire Ralph Vaughan Williams
pental
2:30 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 48 18 9 96%
Bass 40 10 15 8 94%
Voice Treble 15 0 5 7 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 48 18 9 96%
Bass 40 10 15 8 94%
Voice Treble 15 0 5 7 82%
 
Auf Dem Wasser Zu Singen
pental
5:44 Est. Play
Time
87 Measures
1,179Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 7 7 3 100%
Bass 22 15 9 3 100%
Voice Treble 13 0 5 6 69%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 7 7 3 100%
Bass 22 15 9 3 100%
Voice Treble 13 0 5 6 69%
 
III. The Roadside Fire Ralph Vaughan Williams
pental
2:30 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 48 18 9 96%
Bass 40 10 15 8 94%
Voice Treble 15 0 5 7 82%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 36 48 18 9 96%
Bass 40 10 15 8 94%
Voice Treble 15 0 5 7 82%
 
I. Come away, come away, death Gerald Finzi
pental
5:00 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 43 6 6 99%
Bass 29 32 9 5 99%
Voice Treble 13 0 3 6 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 43 6 6 99%
Bass 29 32 9 5 99%
Voice Treble 13 0 3 6 80%
 
Fear no more the heat of the sun 3 Gerald FINZI
pental
3:33 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 94 6 7 100%
Bass 33 38 7 7 100%
Voice Treble 14 0 1 5 75%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 94 6 7 100%
Bass 33 38 7 7 100%
Voice Treble 14 0 1 5 75%
 
O Mistress Mine Gerald Finzi
pental
1:40 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 49 5 7 100%
Bass 31 55 7 5 100%
Voice Treble 13 0 3 6 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 49 5 7 100%
Bass 31 55 7 5 100%
Voice Treble 13 0 3 6 67%